Buy Tickets From the 2010-2011 Season: A Midsummer Night’s Dream Playing April 21, 2011 to May 29, 2011
Dueling fairies, enchanted woods, a love triangle that turns hexagon…. watch the hilarity unravel right before your eyes in our all-new production!
Watch the short "Oberon & Titania Go to a Marriage Counselor" video here.
Play the Puck in Paradise Contest here
Join the cast and crew members for a Question and Answer session on Sunday May 1 after the show!
Read the Plot Synopsis
A Midsummer Night’s Dream Synopsis
-from The Pocket Companion to Shakespeare’s Plays by J.C. Trewin
While Theseus, Duke of Athens, and the Amazon Queen Hippolyta, who he has defeated in battle, are contemplating their marriage, Theseus has to judge a matrimonial dispute. Egeus wishes his daughter Hermia to wed Demetrius when her heart is set upon Lysander. Though warned of the consequences if she disobeys, Hermia resolves to elope and on the next night to meet Lysander in a wood close to Athens. They tell Helena who is herself in love with Demetrius and who promptly reveals the plan to him.
In the wood the goblin Puck and one of the Fairy Queen’s train talk of the quarrel between Oberon and Titania over the changeling boy she has adopted and he desires for a henchman. She refuses to yield, whereupon Oberon orders Puck to fetch a flower whose juice, squeezed on Titania’s sleeping eyelids, will cause her on awakening to love the first live creature that she sees. Helena has followed Demetrius to the wood; Oberon, invisible and sympathetic, orders Puck to squeeze the flower on the lids of the “Athenian youth”, while he himself anoints Titania. But Puck, mistaking, chooses Lysander, who when he wakes immediately pursues Helena.
Puck mischievously gives an ass’s head to Bottom, the weaver, one of the group of “mechanicals” rehearsing a play for the wedding of Theseus. Titania, waking falls in love with Bottom. Presently confusion is worse than ever because Demetrius (who has now been anointed) and Lysander fight over Helena, to Hermia’s distress. The only thing to do is to get the lovers to sleep and to restore Lysander’s sight before he wakes.
Oberon releases Titania; Puck removes the ass’s head, and one quarrel is settled as Fairy King and Queen leave before dawn. Theseus and Hippolyta, hunting early, rouse the lovers who, back as they were, are assured by Theseus that they shall be wedded that day. Bottom, baffled by his apparent dream, goes off to find his fellows.
They perform, in all sincerity, their interlude of Pyramus and Thisby before the amused court audience. Midnight sounds. When all have retired the fairies return to give their blessing to house and lovers, and Puck says the final word.
Directed by Andrew Houchins
Act One - 60 min / Act Two - 70 min
April 21-May 29, 2011
Theseus - Jonathan Horne
Hippolyta - Tiffany Porter
Egeus - Troy Willis
Hermia - Jaclyn Hofmann
Helena - Eliana Marianes
Lysander - Matt Felten
Demetrius - Paul Hester*
Oberon - Jonathan Horne
Titania - Tiffany Porter
Puck - Daniel Parvis
Fairies - Jeffrey Stephenson, Drew Reeves*, Nicholas Faircloth
Peaseblossom - Troy Willis*
Cobweb - Mark Schroeder
Moth - Bryan Lee
Mustardseed - J. Tony Brown*
Quince - Drew Reeves*
Snug - J. Tony Brown*
Bottom - Nicholas Faircloth
Flute - Jeffrey Stephenson
Snout - Bryan Lee
Starveling - Mark Schroeder
Philostrate - Daniel Parvis
Bardometer RatingHow difficult is this Shakespearean play to grasp? On a scale of 1 to 10.
What does rating this mean?
You may already know the story and what happens at the end. But even if you don’t, the play is light and the plot is easy to follow. Limited violence, limited bawdiness (see below). There are very few things – historical, religious, or political – that you need to know ahead of time. Just enjoy!
A note about bawdiness in Shakespeare: It exists. Despite what your English teacher taught you, Shakespeare wrote some pretty saucy lines and they pop up from time to time. While there is never any nudity on stage, our actors are trained to make the text clear. If we feel a show contains a plethora of Graphic Elizabethan Poetry (or is very bloody/violent/triggering) we will put that disclaimer in the blurb about the show. It won’t happen often. If this Bardometer lists a play as a 1 or 2, you can rest assured that it is an appropriate show for kids under ten.
Performances this season
- Henry The Sixth: Part Two (The Rise of Queen Margaret)Performances begin October 01, 2016
- MacbethPerformances begin October 14, 2016
- Henry The Sixth: Part ThreePerformances begin November 05, 2016
- In Repertory: Henry The Sixth Parts 1, 2 & 3Performances begin November 12, 2016
- Charles Dickens’ A Christmas CarolPerformances begin December 01, 2016
- Christopher Marlowe’s Doctor FaustusPerformances begin January 07, 2017
- Romeo and JulietPerformances begin February 03, 2017
- Much Ado About NothingPerformances begin March 03, 2017
- Geoffrey Chaucer’s The Canterbury TalesPerformances begin April 01, 2017
- The Comedy of ErrorsPerformances begin April 29, 2017
- The Two Gentlemen of VeronaPerformances begin May 26, 2017
- Richard The ThirdPerformances begin June 17, 2017