From the 2011-2012 Season:
Love’s Labour’s Lost
Playing November 03, 2011 to November 27, 2011
A 2007 Suzi Recommended Show!
Can three young men attempt to honor their pledge to avoid the opposite sex, food, drink and sleep, for the sake of becoming more intellectual and contemplative? Not in Shakespeare's world and certainly not at the Shakespeare Tavern! After three young women arrive on the scene, the result is far from a blissful pondering of noble deeds and nobler thoughts. Join us for muscovites, masks and lessons about love in this lyrical comedy.
A part of The Shakespeare Evolution Series!
Join the cast and crew members for a lively Question and Answer session on Sunday November 13 after the show!
Read the Plot Synopsis
Ferdinand, King of Navarre, and three of his lords, have sworn to study for three years during which no woman shall come within a mile of them. They are swayed almost at once by the arrival of the Princess of France, with three of her ladies, to discuss her father’s debts to the King.
Costard, the clown, told to deliver two letters, muddles them so that a letter from Armado, a courtier, to the village wench, Jaquenetta, is read to the Princess and her ladies, and a love sonnet from Berowne to Rosaline is read (for Jaquenetta) by Sir Nathanial, the curate. Holofernes, the schoolmaster, tells the girl to show it to Ferdinand. She does so just when, in succession, the young men have caught each other reciting love-rhymes. Berowne, in an irresistible lyrical speech, claims that love belongs to study, that women’s eyes are “the books, the arts, the academes,/That show, contain and nourish all the world.”
Presently they meet the ladies – who have taken pains to trick them – in an unsuccessful mock-Russian entertainment. At length they are settled, watching the masque of the Nine Worthies, arranged by Armado and Holofernes, when Marcade brings new to the Princes that her father has died. She and her ladies prepare to leave, having put their lovers on probation, with tasks for a year and a day before they can come together. But before departing they listen in the twilight to the villagers’ songs of spring and winter – the cuckoo and the owl.
-Pocket Guide to Shakespeare by J C Trewin
Directed by Laura Cole
Act I - 70 min / Act II - 70 min
Ferdinand, King of Navarre - Andrew Houchins*
Berowne, Lord attending on the King - Jeff McKerley*
Longaville, Lord attending on the King - Daniel Parvis
Dumain, Lord attending on the King - Jonathan Horne
Don Adriano de Armado, a Spaniard - Jeff Watkins
Moth, Armado’s page - Matthew Felten
Holofernes, a schoolmaster - Doug Kaye*
Sir Nathaniel, a curate - Matt Nitchie
Dull, a constable - Matt Baum
Costard, a peasant clown - J. Tony Brown*
Jaquenetta, a country wench - Rivka Levin*
A Forester - Matt Baum
The Princess of France - Mary Russell
Rosaline, Lady attending on the Princess - Laura Cole
Maria, Lady attending on the Princess - Kati Grace Morton
Katharine, Lady attending on the Princess - Antonia LaChé
Boyet, Lord attending on the Princess - Troy Willis*
Marcade, Lord attending on the Princess - Matt Baum
Bardometer RatingHow difficult is this Shakespearean play to grasp? On a scale of 1 to 10.
What does rating this mean?
You may already know the story and what happens at the end. But even if you don’t, the play is light and the plot is easy to follow. Limited violence, limited bawdiness (though please note that Shakespeare was a bawdy writer, you can’t escape it in any of his plays). There are very few things – historical, religious, or political – that you need to know ahead of time. Just enjoy!
We recommend this type of play to families, school-age kids, first-timers to Shakespeare, or anyone who just wants to do something fun on a night off. This type of play is perfect for large groups like birthday parties or special event gatherings.
How to prepare for seeing this kind of play: Just show up! You don’t need to know the play to follow along and enjoy.
Performances this Season
- The Romance Repertory: The Taming of the Shrew, Romeo and Juliet, Much Ado About NothingPerformances begin January 31, 2014
- MacbethPerformances begin April 05, 2014
- The Comedy of ErrorsPerformances begin May 10, 2014
- Antony and CleopatraPerformances begin June 07, 2014