From the 2016-2017 Season:
Much Ado About Nothing
Playing March 03, 2017 to March 26, 2017
$15 General Admission Preview March 2
Shakespeare’s second-famous “battle of the sexes” play. Will Benedick, the ever-confirmed bachelor, admit his love for the equally witty and equally independent Beatrice? Will the young lovers Claudio and Hero survive the devious meddling of others? What do you want to bet there will be two weddings in the end?
Join the cast and crew members for a lively Question and Answer session on Sunday March 12 after the show!
Read the Plot Synopsis
Much Ado Synopsis
Leonato, Governor of Messina, is host to Don Pedro, the Prince of Arragon, who has come from suppressing a rebellion by his bastard brother, Don John. With Pedro are John, now “reconciled” to him; Claudio, a young Florentine lord, of whom John is bitterly resentful; and a Paduan lord, Benedick, said to be a confirmed bachelor and engaged in a “merry war” with Leonato’s niece, Beatrice, apparently a confirmed spinster. Claudio loves Leonato’s daughter, Hero; Don John swears to thwart him. After a masked ball the wedding of Claudio and Hero is planned. Borachio, Don John’s follower, tells him that having seen that the Prince and Claudio are listening, he will exchange love vows by night with Hero’s gentlewoman, dressed in her mistress’s clothes, at Hero’s bedroom window.
Pedro, Claudio and Leonato ensure that Benedick (hidden in a garden arbour) hears them discuss Beatrice’s presumably passionate love for him. Hero and Ursula play a similar trick on the listening Beatrice (here the passion is Benedick’s). On the night before the wedding Don John offers to give the Prince and Claudio proof of Hero’s unfaithfulness. Later, Borachio heard boasting about his successful deceit to a drunken comrade, is arrested by the Watch and taken to Dogberry, the constable. Before Leonato can know anything, the wedding ceremony is due. In the church Claudio denounces Hero, who faints. The Friar proposes that Hero be reported dead and hidden until the truth is known. Beatrice, much grieved, urges Benedick to kill Claudio. At length all is revealed and the penitent Claudio promises to marry a niece of Leonato, said to be the image of the “dead” Hero. She is, of course, Hero herself; Beatrice and Benedick, as expected, resolve their “merry war,” and news comes that Don John has been taken prisoner.
-The Pocket Companion to Shakespeare’s Plays by J C Trewin
Directed by Laura Cole
Act One: 70 minutes / 15 minute intermission / Act Two: 80 minutes
Performances March 3-26, 2017
Don Pedro - John Frazier*
Don John - Kevin Roost
Claudio - Anthony Peeples*
Benedick - Matt Nitchie*
Leonato - Victor Love*
Antonio - Doug Kaye*
Hero - Loren Bray
Beatrice - Kati Grace Brown
Margaret - Hero Bridget McCarthy
Ursula - Sarah Newby Halicks
Borachio - Tamil Periasamy
Conrade - Adam King
Dogberry - Kevin Roost
Verges - J. Tony Brown*
Sexton - Doug Kaye*
Friar Frances - J. Tony Brown*
Balthasar - Shea Stephens
The Watch- Shea Stephens, Sarah Newby Halicks
Musician - Adam King
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
Bardometer RatingHow difficult is this Shakespearean play to grasp? On a scale of 1 to 10.
What does rating this mean?
You may already know the story and what happens at the end. But even if you don’t, the play is light and the plot is easy to follow. Limited violence, limited bawdiness (see below). There are very few things – historical, religious, or political – that you need to know ahead of time. Just enjoy!
A note about bawdiness in Shakespeare: It exists. Despite what your English teacher taught you, Shakespeare wrote some pretty saucy lines and they pop up from time to time. While there is never any nudity on stage, our actors are trained to make the text clear. If we feel a show contains a plethora of Graphic Elizabethan Poetry (or is very bloody/violent/triggering) we will put that disclaimer in the blurb about the show. It won’t happen often. If this Bardometer lists a play as a 1 or 2, you can rest assured that it is an appropriate show for kids under ten.
Performances this season
- Geoffrey Chaucer’s The Canterbury TalesPerformances begin April 01, 2017
- The Comedy of ErrorsPerformances begin April 29, 2017
- The Two Gentlemen of VeronaPerformances begin May 26, 2017
- Richard The ThirdPerformances begin June 17, 2017
- A Midsummer Night’s DreamPerformances begin July 08, 2017
- The Complete Works of William Shakespeare (abridged)Performances begin August 05, 2017
- The Taming of the ShrewPerformances begin August 26, 2017
Non-ASC events this season
- Aris presents A Staged Reading of “Ulysses” (June 6 & 7) at
- Atlanta Chamber Players: World Premiere & “Blue Danube” (May 9) at
- LadyShakes 2017: An Evening of Shakespeare, Performed & Produced by the Women of the Tavern (May 15) Mon, May 15, 2017 at 7:30 pm
- Hysteria Machines Presents: Winter is Coming, GoT Nerdlesque (July 22 & 24) at