Buy Tickets From the 2010-2011 Season: Romeo and Juliet Feb 2011 Playing February 03, 2011 to March 06, 2011
Featuring Matt Felten and Kelly Criss
We invite you to join us for our 13th anniversary of performing this play about young lovers, feuding families and one Friar with good intentions.
Want tickets to the sold out performances on Saturday Feb 12 or Monday Feb 14? The only place to get the two remaining tables is here.
Watch a short video interview with our new Juliet, Kelly Criss here.
Join the cast and crew for a Q&A on Sunday February 13 after the show!
Read the Plot Synopsis
Romeo and Juliet Synopsis
-Adapted for this production from The Pocket Companion to Shakespeare’s Plays by J C Trewin
After a brawl between the rival families of Montague and Capulet, the Prince threatens with death anyone who “disturbs our streets again.” Romeo, Montague’s heir, masked at a Capulet dance, becomes infatuated with Capulet’s daughter, Juliet. From the garden he overhears her avowal as she stands on her balcony and their love scene follows. Next afternoon Friar Lawrence marries them in secret.
When Romeo refuses to fight with Tybalt, a passionate Capulet (who is now his cousin by marriage), the gallant Mercutio takes the challenge himself. He is killed by mischance, and Romeo, enraged, kills Tybalt. In his absence the Prince banishes him; the Friar tells him to stay the night with Juliet and then wait in Mantua until recall is possible. When Juliet’s father insists that she shall marry a young nobleman, Paris, and she gets no aid from either her mother or her nurse, the Friar gives her an opiate (to take on the following night) that will put her in a death-like trance for “two-and-forty hours.” She will be laid in the Capulet vault; when she wakes, Romeo will be there.
Juliet is duly placed in the vault as dead, but the Friar’s messenger to Mantua miscarries; hearing only of Juliet’s “death”, Romeo hastens to the tomb at night and is surprised by Paris whom he kills; in the vault he drinks poison he has bought from a Mantuan apothecary, and dies by Juliet’s side. She wakes as the desperate Friar enters, and on seeing Romeo dead, stabs herself. The Prince and the heads of the families are roused; over the bodies of their children Capulet and Montague are reconciled.
Directed by Drew Reeves
Act One - 80 min / Act Two - 60 min
Feb 3-March 6, 2011
Juliet - Kelly Criss
Romeo - Matt Felten
Mercutio - J.C. Long*
Benvolio - Brian Mayberry
Tybalt - Daniel Parvis
Friar Lawrence - Jeff McKerley*
Friar John - William S. Murphey*
Lord Capulet - John Curran
Lady Capulet - Mary Saville
Prince - Matt Nitchie
Lord Montague - William S. Murphey*
Lady Montague - Rachel Frawley
Peter - William S. Murphey*
Paris - Jonathan Horne
Nurse - Josie Burgin Lawson
Abraham - Jeff McKerley*
Gregory - J.C. Long*
Sampson - Jonathan Horne
Balthasar - John Stephen King
Paris’ Page - Brian Mayberry
The Watch - Daniel Parvis, J.C. Long*, Rachel Frawley
Maskers - Jeff McKerley*, Rachel Frawley, Matt Nitchie
Servants -Rachel Frawley, Matt Nitchie, John Stephen King
Bardometer RatingHow difficult is this Shakespearean play to grasp? On a scale of 1 to 10.
What does rating this mean?
You may already know the story and what happens at the end. But even if you don’t, the play is light and the plot is easy to follow. Limited violence, limited bawdiness (see below). There are very few things – historical, religious, or political – that you need to know ahead of time. Just enjoy!
A note about bawdiness in Shakespeare: It exists. Despite what your English teacher taught you, Shakespeare wrote some pretty saucy lines and they pop up from time to time. While there is never any nudity on stage, our actors are trained to make the text clear. If we feel a show contains a plethora of Graphic Elizabethan Poetry (or is very bloody/violent/triggering) we will put that disclaimer in the blurb about the show. It won’t happen often. If this Bardometer lists a play as a 1 or 2, you can rest assured that it is an appropriate show for kids under ten.
Performances this season
- Much Ado About NothingPerformances begin March 03, 2017
- Geoffrey Chaucer’s The Canterbury TalesPerformances begin April 01, 2017
- The Comedy of ErrorsPerformances begin April 29, 2017
- The Two Gentlemen of VeronaPerformances begin May 26, 2017
- Richard The ThirdPerformances begin June 17, 2017