Buy Tickets From the 2017-2018 Season: As You Like It Playing May 19, 2018 to June 10, 2018

A Suzi Bass Awards Recommended Show

Sarah Newby Halicks, Chris Hecke

“All the world’s a stage . . .” We invite you to join us on another trip into Shakespeare's enchanted woods. . . where Rosalind disguises herself as a man as Orlando litters the trees with love notes praising her beauty and virtue. Will the two lovers be united? Will Orlando survive the wrestling match? Will you have a great time? There’s no better place to find out than at The Shakespeare Tavern Playhouse this summer!

Sponsored by

Join the cast and crew members for a lively Question and Answer session on Sunday June 3 after the show! 

Read the Plot Synopsis

from The Pocket Companion to Shakespeare’s Plays by J.C. Trewin

The late sir Rowland de Boys had three sons: Oliver, the eldest, hates the youngest, Orlando, whom he has steadily humiliated. Orlando is matched against the usurping Duke Frederick’s deadly wrestler, Charles; the fight, which the youth wins, is watched by Rosalind, the banished Duke’s daughter, and her cousin, Frederick’s daughter Celia. Orlando and Rosalind fall immediately in love; Frederick, jealous of her popularity, banishes her; and in the disguise of a boy (Ganymede) she leaves with Celia (as Ganymede’s sister) and the jester Touchstone, to find her father in the Forest of Arden, where he lives with a company that includes the melancholy courtier, Jaques.
Orlando and his faithful old Adam have also gone to Arden. The travelers arrive severally: Rosalind and Celia overhear the shepherd Silvius declaring his love for Phebe, a scornful shepherdess. Orlando becomes a member of the Duke’s court, and hangs on the tree his love poems to Rosalind. When he meets her, unknowing, as Ganymede, she promises to cure him of infatuation “if you would be call me Rosalind, and come every day to my cote to woo me”.
Meanwhile Phebe falls in love with “Ganymede,” and Touchstone condescends to the country wench, Audrey. Oliver, whom Frederick has summarily banished to find Orlando, arrives in Arden; on hearing how Orlando has rescued his brother from a lioness – and seeing a bloodstained napkin – “Ganymede” faints. Oliver and Celia are now in love. Presently all the couples in Arden are united: Rosalind reveals herself to Orlando; and Oliver and Celia, Touchstone and Audrey, and even Silvius and Phebe, are in harmony. Frederick has decided to retire from the world into contemplation; the banished Duke is restored and Rosalind speaks an epilogue.

Director's Notes

Directed by Artistic Director Jeff Watkins

Show Information


Act One - 65 min / 15 min intermission / Act Two - 80 min (Ending time is approx. 10:30pm/9:30pm Sun

Show Roles

Performances May 19-June 10, 2018

Dramatis Personae:
Duke, living in exile - Vinnie Mascola
Rosalind - Sarah Newby Halicks
Amiens - Mary Ruth Ralston
Jaques - Matt Nitchie*
Frederick - Charlie Thomas
Celia - Tatyana Arrington
Le Beau - Nicholas Faircloth
Charles the Wrestler - Vinnie Mascola
Oliver - Sean Kelley
Jaques de Boys - Charlie Thomas
Orlando - Chris Hecke
Adam - J. Tony Brown*
Dennis - Patrick Galletta
Touchstone - Anthony Peeples*
Sir Oliver Martex - J. Tony Brown*
Corin - Nicholas Faircloth
Silvius - O’Neil Delapenha
Audrey - Amanda Lindsey
William - Patrick Galletta
Phebe - Kati Grace Brown
Hymen - J. Tony Brown*
Forrester - Sean Kelley
Lord - O’Neil Delapenha
Courtesan - Kati Grace Brown
Gentleman - Amanda Lindsey
First Lord - Patrick Galletta
Servant - Amanda Lindsey

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

Show Times
In general, shows at The Shakespeare Tavern Playhouse begin at 7:30pm, except on Sundays, when they begin at 6:30pm.

Bardometer Rating

How difficult is this Shakespearean play to grasp? On a scale of 1 to 10.
What does rating this mean?

You may already know the story and what happens at the end. But even if you don’t, the play is light and the plot is easy to follow. Limited violence, limited bawdiness (see below). There are very few things – historical, religious, or political – that you need to know ahead of time. Just enjoy!

A note about bawdiness in Shakespeare: It exists. Despite what your English teacher taught you, Shakespeare wrote some pretty saucy lines and they pop up from time to time. While there is never any nudity on stage, our actors are trained to make the text clear. If we feel a show contains a plethora of Graphic Elizabethan Poetry (or is very bloody/violent/triggering) we will put that disclaimer in the blurb about the show. It won’t happen often. If this Bardometer lists a play as a 1 or 2, you can rest assured that it is an appropriate show for kids under ten.

Additional Information