Buy Tickets From the 2017-2018 Season: The Comedy of Errors Playing January 06, 2018 to January 28, 2018

$15 General Admission Preview Thursday January 4, 2018
$20 General Admission Preview Friday January 5, 2018

J.L. Reed, Adam King (or is it Adam King and J.L. Reed?)

Two sets of twins, one (gigantic) case of mistaken identity, and a nun walk onto the stage. No, it’s not the start of a joke, but it is hilarious! The Comedy of Errors takes Shakespearean funny to such slap-happy heights, you’ll be dizzy with laughter. This tale of the merchant twins Antipholus and the servant twins Dromio is full of errors, upsets, and fun.

Join the cast and crew members for a lively Question and Answer session on Sunday January 14 after the show!

Read the Plot Synopsis

The Comedy of Errors Synopsis

From The Pocket Companion to Shakespeare by J C Trewin

Aegeon, a veteran merchant of Syracuse, is in distress in Ephesus, his town’s implacable enemy. Any Syracusian seen in Ephesus will be executed unless he can pay a ransom of a thousand marks. Aegeon’s goods, at the highest rate, cannot reach a hundred marks. Then why has he risked the penalty? He explains to the Duke (sympathetic, but unable to break the law), that long before, at Epidamnum, where he had gone on business, his wife had borne him twins. Strangely at that same hour and in the same inn, a peasant woman had given birth to indistinguishable twins who Aegeon had bought so that they could attend as slaves upon his sons. But on the way home their vessel was shipwrecked; he was separated from his wife, one of the twins and one of the peasant boys, and heard no more of them. When the other twins where eighteen they asked to go in search of their lost brothers. They did not return, and Aegeon, alone, had spent five years looking for them, coming at last to Ephesus and his apparent fate unless, at the day’s end, he could make up the ransom.
The second scene introduces the wanders who happen to have arrived, unknown to him, at the same time as Aegeon. Very soon, Antipholus and Dromio of Syracuse are involved in a furious sequence of misunderstandings and the false identifications with Antipholus and Dromio of Ephesus. (Oddly, four people but only two names.) Throughout the piece – which observes the unities of action, time and place – A is always being mistaken for B and C for D. Shakespeare keeps it up with fantastic ingenuity until when the plot seems impossible to disentangle, an abbess emerges from the priory in mid-Ephesus and reunites Aegeon and Aemilia. Within a short scene everything is more or less explained; and the Abbess invites the baffled Duke, “To go with us into the abbey here,/And hear at large discoursed all our fortunes.”

Director's Notes

Directed by Jaclyn Hofmann

Show Information


Act One: 50 minutes / 15 minute intermission / Act Two: 45 minutes (Show will end at approx. 9:30pm/8:30pm Sundays)

Show Roles

Performances January 6-28, 2018

Duke of Ephesus - Chris Hecke
Aegeon - Steve Hudson*
Aemilia, Abbess - Gina Rickicki
Antipholus of Ephesus - Andrew Houchins*
Dromio of Ephesus - J.L. Reed
Antipholus of Syracuse - Charlie T Thomas
Dromio of Syracuse - Adam King
Adriana - Jennifer Lamourt
Luciana - India Tyree
Angelo -Matt Nitchie*
Balthasar - Steve Hudson*
A Courtesan - Amanda Lindsey
Pinch - Chris Hecke
Nell - Dani Herd
Ensemble - Amanda Lindsey, Matt Nitchie*, Dani Herd, Gina Rickicki
Adrianna Understudy - Kati Grace Brown

*Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States

Show Times
In general, shows at The Shakespeare Tavern Playhouse begin at 7:30pm, except on Sundays, when they begin at 6:30pm.

Bardometer Rating

How difficult is this Shakespearean play to grasp? On a scale of 1 to 10.
What does rating this mean?

You may already know the story and what happens at the end. But even if you don’t, the play is light and the plot is easy to follow. Limited violence, limited bawdiness (see below). There are very few things – historical, religious, or political – that you need to know ahead of time. Just enjoy!

A note about bawdiness in Shakespeare: It exists. Despite what your English teacher taught you, Shakespeare wrote some pretty saucy lines and they pop up from time to time. While there is never any nudity on stage, our actors are trained to make the text clear. If we feel a show contains a plethora of Graphic Elizabethan Poetry (or is very bloody/violent/triggering) we will put that disclaimer in the blurb about the show. It won’t happen often. If this Bardometer lists a play as a 1 or 2, you can rest assured that it is an appropriate show for kids under ten.

Additional Information